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Between and Mortarboard

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4 UMMA Objects
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This is a black and white abstracted view of a ship with white sails. Most of the area around the ship is shaded, except for a beam of light that cuts diagonally across the print from top left to bottom right.
Lyonel Feininger (American (North American))
Off the Coast
1951
Gift of Carl Fredric Clarke
1953/1.28
This print shows a circle divided into six sections like a pie. Each piece of the pie is filled with a miniature scene. In the center, the text reads "Six ways to draw on copper," and has the numbers one through six corresponding to each section . Underneath are two columns of text also numbered one through six naming the print technique used on each section which are:<br /><br /> 1. Softground<br /> 2. Engraving<br /> 3. Mezzotint<br /> 4. Etching<br /> 5. Aquatint<br /> 6. Drypoint
Reynold Henry Weidenaar (American (North American))
Six Ways to Draw on Copper
1948
Gift of Carl Fredric Clarke
1949/1.52
A large ship sail against a cloud-filled sky in Kenya. The angle from which the photograph was taken creates a triangular shape to the sail. From the top corner to the left edge of the photo is a rope, and on the right side of the sail is a small black figure protruding from behind the cloth, possibly the top of the mast to which the sail is connected.
Lynn Davis (American (North American))
Dhow Sail, Lamu, Kenya, 1997
2005
Gift of Mr. and Mrs. James Agah, Class of 1989 (BBA)
2012/2.102
This is an ink drawing in shades of black and brown. In the center there is a figure of a seated nude woman with her back to the viewer. The top of her head is a swirl of dark black lines. In the upper right corner is a three-masted sailing ship.
Ellen Driscoll
Untitled
1997
Gift of Professor Walter M. and Nesta R. Spink
2010/2.58
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